My favorite is a song by the Swedish progressive rock band Blå Tåget, dealing with the so called "submarine affair" in the 1980s, when Russian submarines were said to roam the Swedish shores.
My favorite lines are:
"To capture pictures where nothing is seen
No camera lens is that keen.
But the headlines were thankful and bold—
Cry wolf, and the story is sold."
Here's the whole song, translated from Swedish:
"The Overture was an Eighties Wet Dream
First in the paper, a depth-charged boat
That lay in silence, without a leak,
And sold extra papers week after week.
But maybe what was really required
Was a sub-affair to get Carl Bildt inspired?
Death fish, "hard facts"
Gave nothing much to react.
But as a nightmare, the sub remained—
Perhaps a threat, but clearly well-gained.
In '81 it ran aground itself,
In Karlskrona, a golden wealth.
It crashed in Gåsefjärden,
And made headlines the world over:
"Here we have a spying sub—
Captain Gusjtjin, red as a grub."
And where else was he to go,
With no underwater hideout to show?
So the voyage home ended fast,
As a spy boat with nuclear stash.
In '82 the reports grew more,
Of what submarines supposedly bore.
Surely some were serious,
And gave the Supreme Commander a fuss.
Sweden was violated, like by a swarm,
So he gathered it all into a form:
Pure eyewitness testimony—
To consider slowly, carefully.
Beneath the water, a full invasion,
But on land, just irritation.
Soon after, in Horsfjärden, they saw—
A man from Norrland, one from Skåne's shore.
What looked like a periscope glinted,
As they stood there, fishing, unstinted.
A chopper with depth charges came quick,
Journalists too, their pens to lick.
Now blood was about to flow,
Ingvar Carlsson made sure we'd know.
These were glorious days of strife,
Over Mysingen's waters, sharp as a knife.
So disappointed the sub got away,
Carl Bildt nearly cried that day.
He had already published his book,
Where he had them caught on the hook.
In the commission he played his part,
Sweden's east coast was violated at heart.
There were tape recordings that seemed shady,
And "only Russians" could be so crazy.
Many waltzes can turn to a song—
Was the explanation: mini-subs all along?
Yes, Sven Andersson had to agree,
They'd even been seen in Stockholm's sea!
Olof Palme was surprised,
The whole story seemed improvised.
It was hard to grasp any real threat,
Lennart Bodström refused to let.
But they all had to sign at last,
On the sub commission's past.
The main point: Swedish unity—
Olof Palme swore on that with certainty.
To capture pictures where nothing is seen
No camera lens is that keen.
But the headlines were thankful and bold—
Cry wolf, and the story is sold.
Look for ghosts and you'll find a troll,
Though our signals intel found nothing at all.
So there were divers at Lerakär,
And Karlskrona a total snare.
Various frogmen and paddlers slipped,
How they transformed, no one equipped.
It became a postmodern intrigue,
Where fiction itself was the thing to believe.
Just like tabloid sensationalism,
Feeding a hungry readership's prism.
But when readiness takes its toll,
The alternative is bomb and control.
Then war propaganda takes the stand,
And there's nowhere safe to land.
What is certain, what counts as true?
Perhaps Carl Bildt's not the one to ask you."