Re: Getting the film processed and prints made in the 90's? Piece of cake. I would have taken it to Allen Photo on Industrial Road (Las Vegas).
My memory is that a lot of people that were into B&W photography back then often had their own darkroom setups, no need to get it developed. If this person was shooting "artsy" film stock, is it conceivable, that he could have manipulated various set of negatives in a darkroom to create what we see? A home version optical printer. Regardless of what the expert is saying.
This is not supported by the available evidence. In the podcast, Clarke played the interview with Lindsay where he attempts to recall what the witness told him when he called the hotel in 1990. What Lindsay actually says:
I was responding to the Daily Mail article by Clark.
Now I've listened to the interview, and a couple of things to clarify. I'm going to summarize what he's saying at these time stamps, as he just rambles too much to try to type it out verbatim and still get the important gist.
At
44:00: He says that the Daily Record had 6 negatives and when he asked for a print, that was made by the Daily Mail. He faxed a copy of the print to London, then kept the print for himself.
So presumably, the "original picture" now being discussed, was printed by the Daily Mail from the negatives in their possession. If this is accurate, it also means the Daily
Mail Record did NOT receive any prints, which is back to the question of why someone would send in their original negatives, they only thing they have.
If Robinson, the photo expert, is correct and this is a print made with color paper and a B&W negative, was the Daily Mail running color photos in 1990?
At
46:00-49:20: He tells the Daily
Mail Record where to send the negatives, gets the phone number the witness and interviews him by phone. The story is that they are seasonal hotel workers out for a hike after work. See this thing floating, get scared and hide. Then see the jet make a couple of passes, snap some pictures before it silently ascends very rapidly.
Which sounds nothing like the hypothetical Aroara, which was still an aircraft that moved forward to create lift and was noted for excessive and continuing sonic booms. If it existed at all.
At
50:00-51:040: He describes going to London and seeing the 3' poster sized version like Pope saw. He says his memory of the other pictures was that they were the same except the aircraft moves along to different positions. He thinks he must have seen these in London later, and he assumed that they had printed them from the negatives.
At
51:40-52:30: Linsday never had the negatives, he had the Daily Record sent them directly to London. In London he was told the negatives, after being analyzed, where "sent back" and he assumed it was to the Daily
Mail Record.
I'll note something to keep in the back of the head. At this point, the entire story starts with Linsday. Clark and the other guys in the video, despite a lot of effort, can't find anything to corroborate it. The photographers are unknown. Nobody in the area has any memory of any of it. Nobody at the hotel has any memory of it, or it seems the 2 witnesses. Nobody at the Daily
Mail Record can find anything about it. The original negatives are gone. The poster sized print is gone.
There is an envelope, a print and the fax copy of the print. The only currently remaining evidence for any of this all passed through Linsday's hands. Not saying anything nefarious happened, just something to note.
Edit: Mixed up the news papers.