If you watch the video through that 20:46 segment you will notice that the number on the right hand "dial" (that is 39 in the still) is counting down and gets to 36 before the clip ends. If that is an indicator of the elevation of their camera mount than that does show the object is falling. I guess the left dial is azimuth and the right is elevation, numbers that serious scientists would like to record when capturing data.Is anyone familiar with this system to know what might be getting censored on the top left?
View attachment 79095
From another part of the video I figured the bottom right seems to be
Distance, Altitude, Speed and FOV
View attachment 79096
It looks like this type of thing from a Police helicopter, a commercial EOS systemIs anyone familiar with this system to know what might be getting censored on the top left?
View attachment 79095
From another part of the video I figured the bottom right seems to be
Distance, Altitude, Speed and FOV
View attachment 79096
The elevation of the camera going down doesn't have to mean that the object is falling, it can just mean that the object is getting further away. Same thing for the Manta Ray and the reference line that the plane contrail provides.If that is an indicator of the elevation of their camera mount than that does show the object is falling.
Let's not forget what Jake Barber admitted to in his recent Ross Coulthart interview about the release of this footage
External Quote:
anything that might look like a balloon uh balloons tend to be the scapegoat when you don't have any other bucket to put it in we all like to use the balloon bucket and admittedly a lot of this stuff looks like a balloon like you
could take a mylar balloon and we've actually played with that in the field we launch our own balloons to see if we
can um can deep fake our own data by launching balloons and seeing if we could could manufacture something that looks like the anomalous stuff we're seeing and um balloons get ruled out pretty quickly uh when you take into account wind because balloons are uh are going to move pretty close to the vector or the direction of travel of the wind and pretty much at the velocity of the wind so as soon as you start moving um perpendicular to the wind or at any angle not directly downwind at velocity is different than the ambient wind velocity balloons get ruled out pretty quickly despite how much you want to believe that it's a balloon um because there are things there are classes that um look like it could be a balloon until it starts morphing and changing like balloons aren't going to change the way they look and their radar signature also is something that's pretty distinctive now I'm not one of our radar operators I'm I'm not I'm not an analyst for radar but I'm I'm in our tactical Operation Center when we're looking at this stuff and I can tell you that um the last thing any of us want is to look foolish by putting something out to the public and saying we think it's anomalous and then having it easily explained Away by all the armchair quarterbacks watching the internet around the world
So recently there;s been a high profile tweet/offer to Skywatcher by a camera specialist offering to bring a crazy cinema camera for them to use
Source: https://x.com/JayHHunter/status/1910007289492517169/photo/1
But would it help?
Let's look at the lens offered, it certainly looks impressive
View attachment 79231
This looks to be an ISCO/Schneider cine lens, but what is it capable of really?
https://cslarentals.com/equipment/isco-140-420mm-t2-7-zoom/
View attachment 79233
View attachment 79232
420mm focal length covering a full frame (36x24mm)
Now I own a 500mm lens that covers a full frame sensor that I use for bird photography and there are many longer lenses that are smaller and cheaper (600-800mm)
So why is this lens so large, well it has a t stop of t/2.7 this means it gathers a lot of light, t/stop is similar to f/stop which may be familiar to people who dabble in photography they both relate to the light gathering power, f/stop is a ratio between aperture and focal length (lower numbers let in more light) and t/stop is 'true stop' that measure light transmission accounting for losses through the optical system, film makers care about that above all (because they need exposure to match across shoots/cameras) so their lenses are mostly rated to t/stops.
Also it will be other things that cinema people need but make lenses much larger.
Parfocal - ability to change focal length and keep focus
Have minimum focus breathing - Where focus changes effective focal length
Robust and connects to focus rrgs (the cogs you see)
My lens is an f/stop of f/4
So in reality this lenses size is more about the light transmission than the magnification and it's use as a Cine lens
We've seen that Skywatcher's footage is captured mostly in the day so that doesn't really matter.
Skywatcher could, if they wanted to easily go out and buy any number of much cheaper readily available off the shelf bird photography setups that would offer better distance resolution than this lens and associated cinema cameras.
So really this is just a distraction that Skywatcher probably won't take up, likely stating practicality etc.
The most useful part of the endeavour might be having an unconnected person there to see things, which is probably not what Skywatcher want which is why they only film ahead of release in a remote area of the Texas desert.
Mick made a point on twitter about better cameras extending the LIZ, which is true however let's theorise that Skywatcher are essentially cruising around the desert spotting balloons and other airborne debris then using cameras that are just bad enough to not quite show that and sharing them as UFOs they summoned.
They still have to spot them in 1st place which means likely scanning the sky with human eyeballs, and or widefield binoculars. Any camera system that can bridge this gap is worthwhile because although a sufficiently distant object would still be in the LIZ from an 800mm lens, you but never even know it was there, unless you got really lucky while scanning the sky looking through the viewfinder.
Of course, if they can't find a camera quite bad enough, they always have the option of misfocussing or exposing far too far to the right.Mick made a point on twitter about better cameras extending the LIZ, which is true however let's theorise that Skywatcher are essentially cruising around the desert spotting balloons and other airborne debris then using cameras that are just bad enough to not quite show that and sharing them as UFOs they summoned.
But any and all camera setups will have a distance where you can detect but not identify a given object... you can't eliminate the low information zone, you can only push it further out. And however near or far it is, that's where your UFOs live... any closer and you can see clearly that it us a balloon, bird, plane, etc.To bridge the gap on LIZ and eyeballs they should reach out to someone like the guy behind this video.
In the show Barber makes some comment about the UAPs seeming to know the range of their sensors and stay outside them (as well as supposedly remotely shutting sensors down), which gives away the tautological game: The only UAPs they have footage of are those beyond "sensor range" because anything clearly identifiable is clearly identifiable as mundane.Mick made a point on twitter about better cameras extending the LIZ, which is true however let's theorise that Skywatcher are essentially cruising around the desert spotting balloons and other airborne debris then using cameras that are just bad enough to not quite show that and sharing them as UFOs they summoned.
They still have to spot them in 1st place which means likely scanning the sky with human eyeballs, and or widefield binoculars. Any camera system that can bridge this gap is worthwhile because although a sufficiently distant object would still be in the LIZ from an 800mm lens, you but never even know it was there, unless you got really lucky while scanning the sky looking through the viewfinder.
That's not my point my point is there's a spotting things with your eyes and then there's identifying it.But any and all camera setups will have a distance where you can detect but not identify a given object... you can't eliminate the low information zone, you can only push it further out. And however near or far it is, that's where your UFOs live... any closer and you can see clearly that it us a balloon, bird, plane, etc.
https://www.aircraftcostcalculator.com/AircraftOperatingCosts/531/Robinson+R44+Raven+IIExternal Quote:
Depending on numerous factors, the average price for a pre-owned robinson R44 Raven II is $475,000. A $237,500 loan over 120 months including $990 per month in interest equates to a $11,909 per - period payment.
Based on 300 annual owner - operated hours and $6 - per - GAL fuel cost, the robinson R44 Raven II has total variable costs of $140,494, total fixed costs of $169,361, and an annual budget of $309,855 .This breaks down to $1,033 per hour.
https://www.aircraftcostcalculator.com/AircraftOperatingCosts/522/MD+500EExternal Quote:
Depending on numerous factors, the average price for a pre-owned md 500E is $1,800,000. A $900,000 loan over 120 months including $3,750 per month in interest equates to a $45,129 per - period payment.
Based on 300 annual owner - operated hours and $6 - per - GAL fuel cost, the md 500E has total variable costs of $233,158, total fixed costs of $399,674, and an annual budget of $632,832 .This breaks down to $2,109 per hour.
https://boltflight.com/md-500c-price-and-operating-costs/External Quote:
Combining these factors, the estimated total operating cost for the MD 500C can range from $150,000 to $300,000 annually, depending on usage and operational demands. This cost analysis highlights the importance of careful financial planning for anyone considering the acquisition of an MD 500C.
Gotcha.... of course when they are in a helicopter they could just fly over a little closer.That's not my point my point is there's a spotting things with your eyes and then there's identifying it.
Let's say I'm out birdwatching, I see a bird with my eyes, but I can't tell what it is.
I point my telescope at it and say oh it's a song thrush.
Now my telescope has a LIZ zone of course, but things in the low information zone for my telescope are in the 'no information zone' for my eyes, ie i never know they are there in the 1st place.
Therefore in an scenario where I'm only trying to identify things I only know are there because of my eyes, my equipments LIZ is not important. Only that it be good to erase the LIZ of my eyes.
The people involved in this have access to these helicopters through their day jobs, so everything is at low/mates rates.Just a side note, but is there any indication about who is bankrolling this camp out in the desert?
View attachment 79246
Even an R44 is not cheap to operate or own. My neighbor had one for a while and just couldn't justify the cost:
https://www.aircraftcostcalculator.com/AircraftOperatingCosts/531/Robinson+R44+Raven+IIExternal Quote:
Depending on numerous factors, the average price for a pre-owned robinson R44 Raven II is $475,000. A $237,500 loan over 120 months including $990 per month in interest equates to a $11,909 per - period payment.
Based on 300 annual owner - operated hours and $6 - per - GAL fuel cost, the robinson R44 Raven II has total variable costs of $140,494, total fixed costs of $169,361, and an annual budget of $309,855 .This breaks down to $1,033 per hour.
The cost per hour above is a bit misleading, as it includes the purchase price, still ~$200 per hour is a common number I found.
The Hughes/MD 500 is step up with a turbine engine:
https://www.aircraftcostcalculator.com/AircraftOperatingCosts/522/MD+500EExternal Quote:
Depending on numerous factors, the average price for a pre-owned md 500E is $1,800,000. A $900,000 loan over 120 months including $3,750 per month in interest equates to a $45,129 per - period payment.
Based on 300 annual owner - operated hours and $6 - per - GAL fuel cost, the md 500E has total variable costs of $233,158, total fixed costs of $399,674, and an annual budget of $632,832 .This breaks down to $2,109 per hour.
Slightly different numbers here, leaving out purchase and interest:
https://boltflight.com/md-500c-price-and-operating-costs/External Quote:
Combining these factors, the estimated total operating cost for the MD 500C can range from $150,000 to $300,000 annually, depending on usage and operational demands. This cost analysis highlights the importance of careful financial planning for anyone considering the acquisition of an MD 500C.
Figuring the average of 300 hours per year, that works out to ~$750 per hour.
That seems to be a lot of money those guys are looking at from their lounge chairs.
I was playing around on sondehub and found that if you click a launch site (the open gray circles) you can click the "Historical" button and it will let you select a year and a month and show sondes related to launches from that location. Then clicking on one (the smaller blue circles) there's a "Show Full Flight Path" link that will load the data for that sonde with flight path. Edit: There's also a "Telemetry Graph" button at the bottom left that will show altitudes along the flight path.I'm aware of sondehub and habhub (High Altitude Balloon) but I don't think they offer playback.
In the show Barber makes some comment about the UAPs seeming to know the range of their sensors and stay outside them (as well as supposedly remotely shutting sensors down), which gives away the tautological game: The only UAPs they have footage of are those beyond "sensor range" because anything clearly identifiable is clearly identifiable as mundane.
Makes you wonder why the supposed aliens allow the summoning but then make the effort to avoid the clear detection. Really, the pattern of deception is clear.In the show Barber makes some comment about the UAPs seeming to know the range of their sensors and stay outside them (as well as supposedly remotely shutting sensors down), which gives away the tautological game: The only UAPs they have footage of are those beyond "sensor range" because anything clearly identifiable is clearly identifiable as mundane.
Especially since they hypothesize in the Skywatcher Discovery Framework that "specific sensor configurations may attract UAP activity".Makes you wonder why the supposed aliens allow the summoning
It might be that the aliens are within range, but the human tech gives them a warning sign to get out of range. So, not "attract", as such, but they did bring it about.Especially since they hypothesize in the Skywatcher Discovery Framework that "specific sensor configurations may attract UAP activity".
See https://www.metabunk.org/threads/skywatcher-part-i-the-journey-begins.13971/post-341279
The sensors are summoning UAP, but never close enough.
It might be that the aliens are within range, but the human tech gives them a warning sign to get out of range. So, not "attract", as such, but they did bring it about.
Would those other lenses look as impressive on TV to the layman's eye? I don't know from lenses, but my response looking at that thing was "That's a lot of glass, I'm impressed!" (A friend who is into photography refers to his biggest lens as "a lot of glass," if that is in fact the sort of slang photographers use, that's how I happen to know it. If it is NOT the sort of slang they use, that shows how little I actually know about it. I have no idea of the qualities or quality of THIS beast:It seems Skywatcher have taken up Jay's offer, as silly as it is to use a cine camera like this over any number of much more longer, cheaper and manageable lenses Skywatcher could easily pickup online.
It would indeed look impressive on TV ...especially when photographed by someone at the right distant (or with the right lens) to exaggerate it with forced perspective.I have no idea of the qualities or quality of THIS beast:
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It's a great lens, but what are they currently working with? How much better will their images be? They are currently posting things like:That's a 1200mm f/5.6 lens from Canon
Unless, of course, they have been watching it since they launched it, and have been waiting until it was far enough away to be sufficiently fuzzy before they started filming it?The problem is that if they did have that lens and what they show is it at its max mag, they would have little to no chance of seeing it before hand to know to point a camera at it.