Mendel
Senior Member.
It appears we have more spooky satellites and space lasers on the menu in next week's episode.
View attachment 68817
"The beam stops ... and then starts again".
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Last edited by a moderator:
It appears we have more spooky satellites and space lasers on the menu in next week's episode.
View attachment 68817
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Is there a reason to think it's not just Rayleigh scattering? The wavelength is huge compared to the typical molecule size in air, so Rayleigh dominates. A blue beam would be scatterred more (eyeballing (green@550nm/blue@450nm)^4 ~ 2+, but I'm a bit colourblind and have no idea what colour the other beam is), so would lose more energy, but we're way less sensitive to blue by more than that factor.The question here is, what makes the beam visible in the first place?
the other color is greenIs there a reason to think it's not just Rayleigh scattering? The wavelength is huge compared to the typical molecule size in air, so Rayleigh dominates. A blue beam would be scatterred more (eyeballing (green@550nm/blue@450nm)^4 ~ 2+, but I'm a bit colourblind and have no idea what colour the other beam is), so would lose more energy, but we're way less sensitive to blue by more than that factor.
I wonder if it just shows up on video on one frame - which might indicate something like a rolling shutter artifact with the laser flickering
Seeing more than one frame would be useful, certainly. Alas, it not appearing in other frames could be used to add further woo to any claims. As could it appearing in other frames. That's the wonder of woo.View attachment 68825
Those are very abrupt starts and stops, like there's something in front of two of the green laser.
I wonder if it just shows up on video on one frame - which might indicate something like a rolling shutter artifact with the laser flickering
So what we've done is we've turned the camera 90 degrees on its side, so now that rolling shutter effect is going horizontally, and this laser is being turned on and off incredibly quickly and incredibly precisely, so that as the camera scans by for every frame, the laser is on when it needs to be and off when it needs to be.
That takes a lot of maths and a lot of precision, but the result... is this.
Concepts similar to that have been used in real world (OK, astronomy) for quite some time:Interesting video on the effects of rolling shutter cameras and lasers:
-- https://www.rp-photonics.com/laser_guide_stars.htmlExternal Quote:a Rayleigh guide star is based on Rayleigh scattering in the lower atmosphere. In order to use only the scattered light from the higher parts of the atmosphere (at roughly 30 km height), one uses a pulsed laser together with time-gating detection in the wavefront sensor.
@jimmyslippin, where did you get the video in the OP?
Yes, I enjoyed that. But I think it more likely that a lower-budget method was used (for what might be a single frame) for this particular effect. And since photoshop would present no difficulties to achieve this image, it's a good candidate.Interesting video on the effects of rolling shutter cameras and lasers:
I saw it as part of a preview for next week's show.@jimmyslippin, where did you get the video in the OP?
It's not about the power so much as the availability of suspended particles to scatter the light.I think it is the shadow formed by a screen, hoisted up. As they similarly did with another screen in the beginning of the video, in post #1.
Basically the screen is blocking the furthest beams, and the middle blue one is in front (it is a circular laser set up). This imageismight be a long exposure frame, to visualise the laser beams.You would not seen them that bright, or not even at all (depends on the air/seeing).Powerful enough lasers are visible in real time.
* edit
"The beam stops ... and then starts again".
Interesting. You're above my pay-grade now -- can I ask whether this concept is consistent with what looks like one beam being canceled but the other not? Or are there more beams than I think, maybe, and the gaps represent a point where two beams are canceled?That suggests there's a specific point at which the beams are close enough for destructive interference to occur.
There is no evidence for interference at all, and it should be very visible—if it is even possible with this setup, which I doubt.Notice it only happens where there are two almost parallel beams, and not with single beams on their own. That suggests to me that it is destructive interference. As with Young's infamous double slit experiment, the beams are literally cancelling each other out. The dual beams are not exactly parallel, which means that they slope slightly towards or away from each other. That suggests there's a specific point at which the beams are close enough for destructive interference to occur. I mean...Travis Taylor, with all his Ph.Ds in science, ought to know this sort of thing !
The laser cannons look like those they used in previous seasons, which use multiple independent beams in what looks like a 10x10 grid.There is no evidence for interference at all, and it should be very visible—if it is even possible with this setup, which I doubt.
Boosting it to the max, I think that's a very tenuous outline. Maybe just compression noise.Playing about with brightness/ contrast/ exposure, it seems there might be hints of edges of a rectangular object visible against the sky.
You might need to tilt your screen/ nod your head to see what I think I can see.
There's no "maybe" about number 2. Radiosity mapping was one of the advances in 3D rendering that separated the too-contrasty obviously CGI images of the past from the actually quite believable images that came afterwards. There's a glow nearby - it's going to be illuminating whatever's near. Absence thereof would be weird.Playing about with brightness/ contrast/ exposure, it seems there might be hints of edges of a rectangular object visible against the sky.
[...]
Obvious problems with this tentative theory are
(1) The object would have to closely match the colour of the sky
(2) Maybe we'd expect it to be illuminated by reflecting light from the beams.
@jimmyslippin @john.phil I take your examples to show the rolling shutter effect explained above. It's clear that this can explain the "break" in the laser at SWR, but so far we have not identified a camera where this could happen as it does here on portrait image (and a vertical beam). Your examples are landscape.
@jimmyslippin @john.phil I take your examples to show the rolling shutter effect explained above. It's clear that this can explain the "break" in the laser at SWR, but so far we have not identified a camera where this could happen as it does here on portrait image (and a vertical beam). Your examples are landscape.
However I think it would still work as the lines are tilted. However it would need both green lasers to flicker off and on very quickly at the same time.
No need for a PhD, The basic idea of why it's practically impossible drops out with Fourier Analysis and Shannon-Nyquist's sampling theorem (OK, some dot joining is required). Step functions decompose into a lot of components at a wide range of frequencies, you can't get a sharp transition between flat levels unless you fine tune those components just so. Not enough components, and you'd see the familiar ringing of overshooting, then repeated overcorrection (at both sides of the desired discontinuity, so there would be unwanted darker bits in the light, and unwanted lighter bits in the dark). Even if you could create all the components, it would be a task of horrific complexity to combine them, and I'm not even sure you could create all the components needed anyway. To make it possible probably doesn't require just a Ph.D., you're now in the realms of last year's Nobel Prize.I'm no Ph.D. in optics, but I can't see how that could create the abrupt breaks we are seeing via interference.
Sure. But at that angle, shouldn't there be more glare visible near the ends of the gap?The lines are tilted 2° relative to the long sides of the image. This is still enough to create a gap of a few scanlines during which the laser is off
Many of these give the impression that we may be seeing a gap in the smoke/mist used to make the beam nice and visible. Could something like that be happening in the Skinwalker laser show?There is a very common similar looking effect in laser shows where a gap appears:
I'm not sure, it's hard to wrap you head around exactly what is happening at the pixel level. I think maybe it would be slanted (which is obviously isn't)Sure. But at that angle, shouldn't there be more glare visible near the ends of the gap?