Area 51/50
Member
This is very interesting. Do you have any examples of the 3D renders of the time that demonstrate this effect? It seems like you're knowledgeable on the topic.Anyway, the hoax included some obvious 3D renders of simple extruded and lathed shapes meant to be bits of the tech. This was back when unbiased renderers like early versions of Arnold were becoming mainstream. The lovely blue soft shadows on a a pure white turntable are a dead giveaway. By default a renderer will often supply an outdoor environment with light that creates those exact cool shadows. But back then, radiosity maps and such were very new to the general public.
The CARET case is something I looked into a long time ago for other reasons and came away confused on a few things. Many think it was a failed marketing attempt by the Terminator series, but I think they denied it entirely and said they were inspired by this, IIRC. But that's probably what they'd say regardless.
The "language" the hoax uses appear to be a font called Zeta Reticuli, created by a guy who also created the WALL-E logo and other fonts, which kind of seems like it lends credence to Hollywood's connection. I emailed him to ask the official date he created his font and whether it had any connection to the CARET images, but received no response. Subsequently, some person claimed that the hoaxer stole their images they created and that the language is their own. Given the first part of this paragraph, this claim confused me.
I do think someone else pointed out that some of the pictures (not supplied by the "Isaac" of the CARET documents) of the alleged crafts were in places that weren't where the alleged poster said they were. And there was something about the holes in the hole punches of the paper not lining up in the scans.