In other words, it's possible that Daily Record made a black-and-white internegative intended for an upcoming article. At least it would make sense for them to do so. It's also possible that this internegative was used to make Lindsay's copy, which would explain the black-and-white photograph we see today. If that's the case, then we frankly don't know whether the film used by the "witness" was color or black-and-white—which is frustrating, as it's yet another unknown in this case.The original film was color. This original film was sent to the MoD. The newspaper had already made a B&W internegative. What's his name requested a copy from the paper. The paper no longer had the original film, so someone slammed out a print from the B&W internegative on Ektacolor because it was easy. It turned out relatively well because it was a contrasty negative. But there was an inevitable color cast.
That's my guess.
And frankly, I don't know what we can make of Craig Lindsay's testimonies. Many of the details we believe we know about this case rely solely on his three-decade-old recollections—but is it really reasonable to take them literally? Given what we understand about how human memory works, can we even take the main events of his story for granted?
Take, for example, his claim that he called the witness. There are no documents or notes supporting that this ever happened—only Lindsay's own recollection. What we do know is that someone (possibly Allan) at the Daily Record called Lindsay for a comment. That person must have relayed what the witness claimed about the incident. But can we be sure Lindsay hasn't reconstructed this memory into a phone call with the actual witness? The MoD documents never mention anyone interviewing the witness. Perhaps someone at the MoD did, perhaps Lindsay made the alleged phone call, or perhaps none of this happened, and the entire story is based solely on what the witness originally told the Daily Record.
Roediger and DeSoto explain memory as a reconstructive process:
http://psychnet.wustl.edu/memory/wp-content/uploads/2018/04/BC_Roediger-DeSoto-in-press-1.pdf
We don't know if Lindsay had retold the Calvine story at gatherings and parties over the years, adding and removing details. We don't know what Clarke told him prior to the interview. We don't know if Lindsay had read the declassified documents, listened to Nick Pope's stories, or simply speculated on his own while looking at the old photo he had tucked away.External Quote:"...remembering the past should be viewed as reconstructing it. . . . we can think of the process of remembering the past as we conceive of paleontologists' reconstruction of a dinosaur from bone fragments and chips. The archaeologist recovers a partial skeleton, but the finished product in a museum is shown as complete, with new bones added, old ones refinished or enhanced, and the entire skeleton reconstructed based on knowledge of what the animal probably looked like. . . . However, the story about the event might involve considerable constructive activity on the part of the rememberer. A person's present knowledge and goals may shape and determine how he or she remembers the past."
Personally, I'm starting to struggle to separate what we know about this case from what we think we know.